| Diši duboko/ Take a Deep Breath | |
|---|---|
DVD cover |
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| Directed by | Dragan Marinković |
| Produced by | Dragan Marinković |
| Written by | Hajdana Baletić |
| Starring | Mira Furlan Bogdan Diklić Ana Franić Jelena Đokić Nikola Đuričko |
| Music by | Vladan Marković |
| Release date(s) | November 9, 2004 (SRB) |
| Running time | 80 min. |
| Country | Serbia and Montenegro |
| Language | Serbian |
Take a Deep Breath (Serbian: Диши дубоко, Diši duboko) is a 2004 Serbian film, directed by Dragan Marinković and written by Hajdana Baletić. This drama was promoted as the "first Serbian LGBT feature film", even though the writer herself stresses that it is more about the generation gap in the modern family.[1] The premiere was held on November 8, 2004 in Belgrade's Sava Center.
Contents |
The keynote quotes American comedian George Carlin: "... And always remember: life is not measured by the number of breaths we take, but by the moments that take our breath away..."
The movie starts at a family dinner where Saša (Ana Franić), a discontent Belgrade Law School student who is still living with her parents, informs them about her decision to follow her boyfriend Stefan (Branislav Tomašević) to Canada since he had already accepted a job offer to coach water polo there. The parents who thought the young couple were about to announce their intention to get married can hardly hide their shock and disappointment at the unexpected turn of events. Saša's father Miloš (Bogdan Diklić), a conservative judge, is particularly not happy with the fact that she's leaving her studies. Saša also tells them that she's moving in with Stefan right away, even before her visa application is processed. The young couple then leaves the dinner in a bit of a huff.
While driving back to Stefan's apartment, they get into a car accident. Luckily both survive: Saša only with scratches and Stefan with minor head and leg injuries that require hospitalization. In the hospital Saša meets Stefan's sister Lana (Jelena Đokić), a charming Paris-based photographer who's come to Belgrade in order to take care of her injured brother. While Saša gets released from the hospital the same day she wakes up, Stefan is being held for a few more weeks.
While he recovers, his sister Lana seems to have forgotten the original intention of her arrival to Serbia, and spends all her time with Saša. Saša, who initially finds Lana to be very irritating, is being slowly seduced by her, and goes through the path of anger, denial, acceptance and outing in the time span of only few days.
Her parents, busy with their own separation and divorce, don't notice their daughter's love life confusion right away - more precisely, they have to be told so. Both of them react very differently. Mother (Mira Furlan), who has just realized that life should not be wasted in compromises but should be lived to the fullest, is very happy that her daughter has finally found her true love. On the other hand, Saša's father, who tries to keep his family together at all costs, becomes very unstable and angry after hearing these news, which for him represent the last drop.
While this movie supports the gay right to love and to be loved freely and openly, in the same time it condemns a homosexual and every other kind of pedophilia by showing how deep is the trauma that a sexual abuse at the young age has left on Saša's father. Releasing all his suppressed anger, he has Lana followed and arrested for one night on a traffic violation account, which results in Lana's change of spirit - from a joyful but a little superficial and inconsiderate girl she becomes a crushed pessimist, decided to escape the troublesome situation. She confronts Stefan and breaks up with Saša by telling her that "it was a nice dream" and that "she wishes for her to fall in love again", suggesting that she herself could not love again. She leaves for Paris, and things eventually work out for Stefan, who splits for Canada with a nurse from the hospital, and for Saša's mother too, who moves to Vienna with her new husband and her little stepdaughter. Saša's father dies on, so to say, the consequences of his bogus heart condition and Saša is left completely alone to stand still in a world where everybody else seems to be going places, even though in different directions.
A viewer is being left with a distinct feeling of "plots behind the plot", i.e. there are several stories from the life of the protagonists, which are implied to but not quite revealed. Those are for example: the story about Stefan's and Lana's childhood and their relationship in general; the story about Saša's father's youth and marriage; the relationship between Saša's father and his assistant; and the most important - what has happened that night in prison and why has Lana decided to drop the fight so quickly. Although it may sound as a disadvantage of the scenario, it actually complements it (except, maybe, the unclearance of Lana's mindchanging).
The most popular song from the film is a composition "Ja te sanjam" (I Dream About You), by Vladan Marković and performed by Jovana Nikolić.